I love books, or rather I claim I do. I have plenty, yet I must confess I rarely sit down to read them – I always seem to get distracted. However, the last two days have been different, for yesterday I bought my first ebook, and was instantly converted. No more struggling to turn pages, no more worrying about dribbling; I can just read and read and read. Moreover, it is a book highly relevant to my studies.

In his appraisal of my thesis, one of my examiners noted the lack of a named film theory-based model of identification. This was not a major problem, but struck him as a slightly strange omission given the focus of my work. The truth is I’m slightly rusty on that side of things, so I thought I better brush up. I did some googling, and yesterday found an ebook which fitted the bill exactly. It is An Introduction to film theory through the senses, and as such for me constitutes partly revision,but also offers me a bridge between the theory we covered in my last year as an undergrad and my own work on cinephilia. Crucially, though, it covers concepts such as spectators physically entering into texts, as well as kicking myself for not reading it four years ago, but deals from them at a different angle then my work. Two chapters in, I’m finding it fascinating, but I’m also wondering how to incorporate this theory with it’s rich history with my own work. I think I should at least reference it, but the question is how and to what extent. Mind you, I suppose I better finish the book first.