Film is such a strange, beguiling artform when you think about it: to a unique extent, it is at the same time supremely democratic and eye-wateringly exclusive. Unlike any other art form or mode of expression, it is something just about anyone can ‘do’, simply by holding up a camera and pressing ‘record’; yet on the other hand the film industry is notoriously difficult to get into, and making a proper, professional film for cinematic release takes years of work, dizzying amounts of networking (and luck), and obscene amounts of money. Thus in these days of camera-phones and Youtube, we find ourselves at a point where anyone can make a film by pointing a camera at something and recording it, before uploading it to make it available to the entire online world.

The question is, does that mean that they are filmmakers? At university I learned what an extremely sophisticated artform film is: Contemporary cinema is an amalgamation of techniques and styles, all of them having evolved over the last century or so, to form a rich, intriguing filmic language. You only have to read guys like Andre Bazin or Christian Metz to get an idea of just how beautiful and complex it is. Now, however, all that is being bypassed: online, film in the broader sense is becoming simply the recording of moving images, devoid of any art, style, technique or appreciation of film in any philosophical sense. It is as if what came before has been bypassed and ignored, akin to someone throwing paint haphazardly onto a canvas in roughly the shape of a woman, and proclaiming themself the next da Vinci. The result might express someone’s thoughts and feelings clearly enough, but can you call it art?

I suppose I shouldn’t complain. Film, like any other artform, is constantly evolving. The way it is accessible to anyone makes it hugely democratic. Yet, as a cinephile, part of me worries that the door has been opened to luddites with no idea what they are doing or any real appreciation of the artistry of film, resulting in the slow yet gradual wilting of the quality of films as a whole. To put it another way, it is not that difficult to write a few sentences to convey a message; but to write something with any deeper meaning or nuance, to say something meaningful about life, the universe and everything, it helps to have a knowledge of literature more broadly. That is the point at which writing, film or any other art gains true intellectual weight; without such context, it is just a few pictures or words, void of any real meaning.