When I was up in cheshire, my parents and I did something which some people might think was slightly strange. My Dad first read the Hobbit to me and my brothers when was eight or nine, and since then I’ve always loved Tolkien. I fell in love with his stories, as well as dad’s deep, clear reading voice. Since then, Tolkien’s work has always been something dad and I have shared; it is something which bonds us, and brings us together. While I was up in cheshire, then, we took the opportunity to watch all three Hobbit films together, on consecutive days.
It was an amazing experience. My parents have a new giant flat-screen tv. Sat there, in the darkened living room, I could really immerse myself in the films, very much like at the cinema. Every afternoon over three days, we put one on: this meant that the story remained fresh in our minds, so you could really get into it. It was lovely to reacquaint myself with Bilbo Baggins and company, not far from where I first met them all those years ago. What Peter Jackson achieved in adapting both The Hobbit and The Lord of the Rings to film is an astounding piece of cinematic art. Mind you, I thought the hobbit suffers somewhat for having been made after the lord of the rings, as there were too many references to what came after the events of the book. Jackson constantly alluded to LOTR, using the ring verse for example, even though it is supposed to be sixty years in the future. This muddies the narrative, and kind of spoils the overall effect.
Even though the experience was mostly joyous, I must say one or two quite negative things caught my eye as I was watching these films. While I don’t want to write a full review, I think I ought to raise a couple of issues which left a bad taste in my mouth. Firstly, I noticed these films present a highly problematic construction of race: they use the idea of ‘good’ and ‘bad’ races. Of course, this is one of the major problems with tolkien’s writing, but the films reuse his idea that some races can be good – the elves, with their aryan overtones – and some can be innately bad, like the orcs. I would have thought any contemporary adaptation would have watered this down or added some form of explanation: such implicit racism must surely be questioned.
Similarly, I noticed many of the orcs in the battle scenes were using prosthetics, and had had an arm or leg replaced with a hammer or axe. Of course, this is supposed to make them look more gruesome and menacing, but it sends out a very destructive message about disability. It suggests that users of prosthetics are somehow evil or bad, an age-old formulation of disability which goes back to Ahab and beyond. Surely we should be beyond such disablist paradigms by now.
Quite major though they are, these two issues aside, I thoroughly enjoyed watching these films. Dad had put off watching them so he could watch them with me, and it felt very special indeed to watch them with him. I may now have a Masters in film, and I can analyse film till the cows come home, but to share such a story with people you love is surely what film was created for.